The Robot Ate Me - I'm OK
The album pushes some serious issues to the surface - genocide, politics, anti-Semitism, and how religion has become inextricable from contemporary politics. Most of the disc is made up of samples of old records that make it sound like it was recorded in the mid-20th Century, providing a Lynch-like contrast to the eerie but playful lyrics. The instrumental list employed by the band is a testament to this: guitars, accordions, saxophones, horns, violins, pianos, organs, toy pianos, power tools, harmonicas, old analog synths, imported Chinese instruments. Alright, you get the picture.
While the first disc dives into Bouchard's political-social-religious ranting - the second is a more song driven, melancholy take on tea, love and life.
Each copy is hand-made (in a beautiful Rauschenberg-like art book), numbered, and released through Ryland's Swim Slowly label - along with a CDR of more tracks. The only sad thing about this creative release is that it is now down to a limited 100 copies and will more than likely not get the attention that this vision deserves.
More tracks - Crispy Christian Tea Time & The Genocide Ball